Albert Palmer - Bristol Wedding Photographer - Blog

Which Bag For A Wedding Photographer?

2009-11-18T12:55:00.001-08:00

So I recently needed a new bag for my wedding photography and this is what I bought. The Lowepro D400 AW Stealth Reporter. I already own a Lowepro Vertex 200 AW which almost carries the lot. The problem with a rucksack for the wedding photographer is that:

a) A rucksack can be quite bulky and certainly isn't discrete. Sure, I will pack it with everything to travel to the venue but then I'd take what I need and leave it somewhere secure.
b) Changing lenses takes way too long. To have to take the bag off, unzip it, switch lenses, zip it back up, put it back on will mean you miss the moment every time.

So I decided on buying a shoulder bag mainly because I need to change lenses on the go. Sure I use two cameras with two lenses but you still want to switch the wide-angle to the telephoto from time to time. I bought it from Jacobs Photography in Bristol on Whiteladies Road. The staff were really nice and they also had the 550AW and the 600AW. Whilst I had my mind set on the 550AW going in to the shop I quickly decided against it.

Sure it was a lot more capacity for a very small amount of money more however I wasn't prepared for how big it was! It genuinely is a lot bigger than the 400AW. To the point where it becomes the kind of bag you use for carrying a lot of gear from point A to point B rather than the kind of bag you carry around with you on the go. Not to mention that using a shoulder bag to carry gear around puts you under a lot more strain than a rucksack. Still, if you carry your camera(s) in your hand, or on another strap using this as a lens bag makes perfect sense in my mind.

The 400AW carries a 70-200/2.8 attached to the body (a 5DMKII) without any problems. I don't think it would carry a 300mm or a 100-400 though.

Whilst the image shows what I have in it, I would say you could carry another lens if you needed to. In addition there is a lot of space for wedding photography business cards, memory cards, a rocket blower and other small stuff.

Anyway, I hope this has been useful. Let me know what you think.

www.bertpalmer.com
Bristol Wedding Photographer

Bristol Wedding Photographer - Using Window Light

2009-11-08T01:58:00.000-08:00

As part of the flickr Bristol Strobist group I was lucky enough to photograph Marina if only for an hour or two. I really jump at the chance to photograph models, especially when they wear a white dress as this really makes me think about the lighting because it can be challenging. When it comes to using off camera flash I consider myself to be able to hold my own up to a point. I've had a good amount of studio experience, but when it comes to venue's things are a bit different! I'm certainly no master but I have a good idea about what will work and what won't.

Sometimes it won't!

The shot here was done with window light only. I tried various setups with strobes, reflectors and all of that but I couldn't deny how good the light was and so turned the strobes off. I'm really trying to push off camera flash at the weddings I do. It really gives a different feel to the photographs, but sometimes the the best shots come naturally.

As an aside Ashton Court Mansion on the outside of Bristol seems like an amazing wedding venue from the point of view of the photographer. The grounds a stunning and I think you could get some really striking formal photographs in this location.

Bristol Wedding Photographer - Second Shooting

2009-10-26T14:34:00.001-07:00

Just a quick post while I have some time. I've been trying to do some more second shooting of late. I always find it a good opportunity to be creative and enjoy myself slightly more when not quite so much pressure is on me. It's also a good way of learning a little bit more about the business, as whilst I am happy with what I am doing (or my customers are more to the point) I have to be realistic that I have only been in the business a fairly short while compared to many other photographers.

Building a good relationship with my peers in Bristol is important to me for this reason, and I know that should one of my second shooters have to back out last minute I am confident that one of my other associates could jump in at the last moment. Especially living in Bristol, photography in general is very popular - even wedding photography!

Bristol Wedding Photographer - Lightroom 3 Beta released

2009-10-22T13:03:00.000-07:00

So Adobe have announced the third version of Lightroom, even if it is beta this shows some of the new features. What am I most looking forward to?

Well the watermarking will mean that I no longer have to export to Photoshop which will be a big time saver.
Being able to publish to flickr is really nice. Probably not that much of an importance for the business but its nice to have this feature integrated. I guess Facebook will be next...

Exporting a video slideshow will also be nice. I do hope that they integrate some nice new transitions. I like Ken Burns don't get me wrong, but some funky features like that have in iMovie would be well received.

The printing module looks excellent, hopefully this will save me a lot of time when it comes to making albums in the future.

All in all it looks like a nice update, especially if the speed is improved on. Especially when it comes to rendering the photos for input and output as this is a big bottleneck in my workflow. Unfortunately this could well be due to my ageing Macbook Pro, but I'm currently in denial!

Bristol Wedding Photographer - The Importance of the Venue

2009-10-16T11:59:00.000-07:00

I was recently asked to photograph a wedding in the Bristol Oncology Hospital at the last minute. The wedding was scheduled to take place in June 2010 and I was deeply honoured that the couple had asked me to come along and photograph their ceremony.

I took a call on Monday night to photograph the wedding on Tuesday night and I was free. I was due to set off on holiday the next day for two weeks so I charged my batteries and made sure all my memory cards were clear. It was a beautiful occasion and I really captured the emotion of the evening. I guess the reason I thought this warranted a blog post was because the event really was set apart by the venue. As plans were set in place literally on the day the ceremony took place in a waiting room in the hospital rather than the country grounds of a beautiful country house.

The spontaneity of the event really set this wedding apart in my mind and whilst the venue may not have been quite so grand the importance and emotion of the event was there every minute.

This kind of got me thinking about how important the wedding venue is for the photography. I always thought that the photographers who charge more, got better images (IN PART) because their clients could afford nicer venues. Thus things look a bit nicer in general as you have more opportunities. Whilst there is no doubt in my mind that a nice/expensive venue is preferable there is no reason why you can't work creatively to use what you have to your advantage as I found out.

Bristol Wedding Photographer - Change The Setting

2009-10-01T09:59:00.000-07:00

An easy way to be creative at a wedding is to change the backdrop and get away from the other people at the wedding. For example when going to the Bristol registry office for a ceremony there are some beautiful parts of Bristol that make a nice backdrop for any wedding photographer. All it takes is for you to get the bride and groom to plan this in to their schedule so that you get 10-15 minutes with just them. This really helps spice up the pictures.

Not only do the shots visually change, but getting the happy couple away from everyone else lets them relax. When they don't have a crowd looking at them they will be a lot more comfortable and relaxed. Then you can encourage them to play, have a kiss or just enjoy a few moments together sitting down talking.

Wedding Photographer Bristol - Technique: The Disequilibrium Effect

2009-09-24T12:46:00.000-07:00

Put simply, 'give it some wonk.' Two of the simplest techniques for creating an image that seems more interesting are very simple. Firstly you can use the rule of thirds. This works like a charm 95% of the time. You place your subject off centre and ensure the face, or the point of interest rests on one of the four intersecting lines. Secondly you can shoot at an angle. You don't HAVE to keep your camera straight, where it works, tilt it to either side and use this to compose at an interesting angle.

It helps make the viewer look for more components in the scene. It puts the viewers visual balance off centre and adds another dimension to the image. As a lot of photos are not composed like this it quite often stands out and I quite often have the bride and groom liking it more as a result. That said, like many techniques don't overuse it!

Bristol Wedding Photographer - Make A Gear Wish List

2009-09-21T09:27:00.000-07:00

When I first moved to Clifton in Bristol (an area I love by the way!) I decided to make myself a gear list. It was a new start, both in location and in full time career and a shiny, new bag full of gear seemed to be in order. It was a wish list of my most wanted gear. My plan was to take as much of my disposable income as possible and buy the gear now, at the beginning. Then in the coming year the profit would be put back in to the business, marketing, hard drives, a new printer and maybe a wedding fair. O... and wages...

I've shot 12 weddings so far this year and I'm turning away clients for 2010 because I'm fairly well booked up. I've also done a fair bit of second shooting and have a pretty good idea what gear I need. So it was a bit of a surprise when I opened my gear 'wish list' and looked through all of my 'must have' items.

It really blew me away that my list had changed considerably in 9 months. Firstly my new list is a lot smaller. A quick estimation shows that I have probably saved around £4,000. Gone are the desires for the 85mm f1.2 L lens, 15mm f/2.8 fisheye and the 50mm f/1.2 L. I don't need a full set of studio lights, nor ETTL compatible triggers for my 4 speed lights.

I'm even considering selling the 16-35mm f2.8 L zoom lens I own, but it does come in useful at times. So how did my needs change? Practically I simply wouldn't want to cart the weight of all this gear around with me. It would have been quite a burden and a bit of a worry to have to leave it around because I couldn't carry it. I also rented a few lenses and borrowed some others to see whether they worked for me before purchasing. Some worked really well and others just didn't suit my style.

My advice to anyone in a similar position would not be to rush out and buy the gear. You might surprise yourself and save yourself some money if you work with what you have and try renting gear.

Bristol Wedding Photographer - Loosening Up The Bride

2009-09-15T12:21:00.000-07:00

I know it's easily said that you should work your client to get the best out of them. Serious shots are nice, but grabbing emotion is what weddings are all about. Saying 'smile' doesn't work and just sounds lame. Encouraging people to play, have fun, be silly is okay for models but not so much for the average bride. This can be particularly challenging with just one person, with two they can play off each other.

Anyway, here a few things to do or say to lighten the atmosphere and make them feel comfortable.

• Talk to them, ask her how she met the groom, plans for the honeymoon.
• Ask her what nicknames she has for the groom that no one else knows.
• Tell them a really bad joke. This works well if you build it up to be the best joke ever... they always crack up over it.
• Try grabbing a small kid from nearby and asking him/her to press the shutter - this normally gets some genuine smiles.
• Compliment them and tell them they look good - don't forget to show them the best ones on the LCD.
• Encourage them to move around - they don't have to be stiffs! This can lead to them doing stupid poses which is always good.
• Say - "now the bride and groom kiss and every laugh" *click* then, "now the bride and groom laugh and everyone else kiss!" *click*
• "Okay, look like you like each other." *click*
• "Okay, now bite his ear!" *click*

Wedding Photographer Bristol - The Head And Shoulders Shot

2009-09-10T13:15:00.001-07:00

Being a photographer is all about being creative. That said there are many 'must have shots' you need to take on the wedding day. One of the photos a groom will like the most is a head and shoulders shot of the bride. This is the photograph that he will put on his desk at work or in his wallet.

It's best if you can photograph her veiled and unveiled. While you need to get close to her and get an intimate shot you might also want to try different kinds of light. Both soft light for a more dreamy look but also harsh light more contrasty punchy photographs. It's quite unnatural to be photographed so make sure you show her the back of your camera so she knows how good she looks!

As I've previously mentioned talk to the bride too - tell her how good she looks, and make sure she likes what she is doing. This will make her look (and feel) more relaxed and natural.

The Best Lens For A Wedding Photographer

2009-09-07T12:20:00.000-07:00

So I've finally purchased the Canon 24-70mm f/2.8 L lens for use on my full frame Canon 5DMKII. I'm really going to try and make sure that is the last lens I buy this year (with the possible exception of the Canon 50mm f/1.4 as an upgrade.) Why is this the best lens for a wedding photographer? Well there is no 'best lens' per se, however there is an obvious gap in my lens lineup and I KNOW with all my heart that this lens will get a lot of use when it comes to the Wedding formals.

Luckily I managed to have a quick play with one a few days ago in the Bristol flickr meetup. One of the members very kindly lent me theirs and whilst I didn't get the opportunity to fully put it through its paces due to the low light I can see why people like it so much.

It's the optimum wideness for group shots, but also very reasonable for zooming in all the way for a few portraits. Perviously I have had to swap lenses here. With the Canon 16-35mm f/2.8 L II for the wide shots and the 80-200mm f/2.8 L lens for the portraits. This is really going to save me a lot of time at this part of the wedding.

Whilst I've yet to review my copy I got it at an excellent price on eBay of £724 inc P&P. The reviews I have read from both friends and other forums online have been glowing in their praise.

Well hopefully I'll get a good copy and a review will follow.

Photograph What Is Important To The Bride

2009-09-06T03:19:00.000-07:00

It's really important to find out beforehand what the bride's vision is for her wedding. For instance shoes might be particularly important to her or the bridesmaids as I can assure you they will have been carefully selected for the day.

When taking time to chat to them (before the big day) find out the efforts are going in to the creating the day - they will almost certainly be worth photographing in an artistic and thoughtful way.

Wedding Photography Prices On The Website

2009-08-25T13:08:00.000-07:00

I think this is a pretty interesting subject as a lot of wedding photographers don't advertise even their starting price.

I think there are some good reasons for this depending on your market. People ought to contact you because they like your work irrespective of price. This may result in lots of enquiries, but how many prospective clients actually follow that up with wanted a consultation or even a booking?

Speaking to the brides I meet every week I know they are busy people. In fact they are VERY busy. Even the bride looking for a budget photographer can be busy with family, work and even organising the wedding. I don't think many brides will consider you unless you have at least a starting price on your website. The same way you wouldn't buy a camera advertised on line which didn't have a price so you had to contact the owner.

If people see your pricing and still contact you then it indicates they are more likely to book you. If someone doesn't acknowledge their price it probably means they are going to hard sell you in an e-mail or telephone call.

Most of my clients are web savvy and want the information ASAP, so I'm happy to provide it to them.

I thing to keep in mind is to remind the clients that they are not just buying the photographs, but they are buying YOU!

Free Lens Focus Test Chart

2009-08-13T09:36:00.000-07:00

I thought I would put a quick blog post together to mention the focusing test chart. I recently played with it and was happily surprised to see that all of my lenses (except one) focussed perfectly.

I expected the 80-200/2.8 to not fare so well - as it seems to slightly back focus. I have been planning to upgrade this lens for some time and that day may be coming quicker than I thought! At least this gives me a genuine opportunity to test the micro adjust feature on my Canon 5DMKII.

I use this lens for a lot of my weddings in Bristol and do occasionally see a shot not being 100% when using this lens. It's a shame as the qualities of it are exceptional. This test chart is a great resource and I recommend trying it, if only for piece of mind.

Selling Your Wedding Photography - The 'Meeting'

2009-07-31T10:30:00.000-07:00

I was having a bit of a chat with some friends in Bristol over coffee at the Cafe Du Jour on Whiteladies Road (great place, great coffee.) And we got in to sharing thoughts about how we conduct ourselves in a meeting with a prospective couple. I thought it would make an interesting blog post, so let me know what you think.

I can really only say what I do, so on reflection I find that even before the meeting you want the couple to love you, love your work and know you care about their wedding well before the meeting. You can show this from your website, your first e-mail and phone call.

I try and keep the KISS principle in mind because it can be very easy to overcomplicate things when it comes to discussing a wedding.

I try and keep the first 15-20 minutes getting to know the couple. I genuinely love meeting new people and making friends and so these meetings excite me because they are always fun. Getting to know someone and making a connection is crucial if you want to take the best photographs you can of them. Don't mention the wedding or bring out your portfolio until you have got to know them a little.

Don't over pitch especially when they are looking at your photos but don't just sit there either. I guide them through my work and tell them how I created the images and what makes them special. Make them laugh, keep it light and have fun and whatever you do try and make a connection. Show your passion, that's why you are in the wedding photography business. Your passion and people skills will win you clients.

If you sell albums, bring some so the clients can see them, having something tangible is a really nice plus and shows you are interested in quality products.

When you move on to the subject of weddings find out how they met, what mood or feeling they have for their images and the vision they have. Be interested in their wedding, the cake, dress, style and theme. This is the part where you need to listen more and talk less. Bring a nice notepad and pen with you and take notes, it shows you care and helps you not to forget. Tell them of your experience that there is no problem you have not faced. I ask them how their ideal photographer would fit in to their day and other such open ended questions, getting them to speak automatically will help them relax. It is important to let them know how you work and so I talk them through their day from my perspective. "When you are getting ready I will be doing this..."

Being nervous is normal, but if you show your nerves you won't be hired. Speak with confidence, after all you are a professional and you will know what you are talking about. Contrary to popular belief there are enough weddings to go around. I may not be what people are looking for and and likewise I don't have to photograph every wedding that comes across my plate. But couples who love my style and insist that I am exactly what they want are the ones I want to book. I don't take the stance that I'm trying to get them to hire me, rather I'm showing them what I do, how I do it and the results. Hopefully we will make a connection and our visions match we will make a great story and capture it with creativity and passion.

Finally ask them whether they have anymore questions, and if not ask them if they would like to book that date.

Your work speaks for itself, but the meeting is to decide whether they like me or not...

Buying the latest equipment, or when to upgrade...

2009-07-23T12:41:00.000-07:00

I have owned my most recent ipod for the last 5 years. Unsurprisingly it is pretty worn out. Typically a 2-3 hour battery life on a good day, it only charges with Firewire and only syncs with USB so I have to use two cables. The unit crashes intermittently, and unless you plug it back in to the computer it won't restart...

So I was browsing Bristol's shopping district the other day and found myself in the Apple store... 30 mins later I walked out the proud owner of an iPhone (32GB, 3GS, Black if you care!) I was tempted to only get the iPod touch as I already have a phone, but having to carry around two devices is a bit of a pain. That and the fact that the rumour sites are saying a new iPod touch will be released in a month or two swung it for me...

Luckily the upgrade cycles for camera lenses aren't as frequent as iPods and when you buy a lens it tends not to deteriorate unless you treat it badly. So the next lens on my shopping list is the Canon 24-70mm L lens. Unfortunately I don't have the stomach to buy it as rumours have been circulating for a long time that a second version of this lens will be released with IS.

Deciding when to purchase new gear is always hard, but having to continually postpone the purchase because you think there may be something better coming out is a real pain Especially when you could he out there making great photos.

The problem is buying a new lens and have it fall in value by almost half because a new version is released. This is a big dilemma! I hate the feeling of buying something new only for a better version to be released within a month, and quite often for a cheaper price.

Personally I'm going to wait until the 24-70/2.8 II L is released and make the most of the gear I have. With a few lenses a good wedding photographer ought to be able to get a good shot out of any wedding situation. That doesn't mean I am happy about it though!

Faking The Cake Shot - Wedding Photography

2009-07-16T10:15:00.000-07:00

There are few opportunities to practise shots on the wedding day, but one of the few opportunities we get as wedding photographers is the cutting of the cake. This is a great opportunity to get some 'safe shots' in the bag with no interruptions. Another reason is that sometimes the photographer is only booked up to a certain time and so they need the photographs of the cake cutting before they leave. Since my 'second shooter' days I was always taught to do a mock cutting of the cake for these reasons. However, last weekend I decided against doing this. The reason?

These 'fake' shots never make it in to the final portfolio of images I hand to the clients. When they do the real thing the expressions are too priceless to miss capturing! I always stay until the end of the night so there is no chance of me missing this great opportunity. I also find the same thing when throwing the bouquet. It can be photographically challenging, but doing it live and capturing the real thing makes for better, emotionally charged photographs.

This is part of my plan to reduce the amount of photographs I take at a wedding and concentrate on the quality. This is a time consideration meaning less photos to post process and more highly rated photos.

The only other 'fake' part of the day is the signing of the register. Normally the priest doesn't allow this due to the distraction, but it is his house so his rules... Okay maybe it's God's house but I am sure you understand what I mean!

Photography is all about capturing the moment!

Don't Be Afraid To Delete Your Bad Photographs

2009-07-07T13:50:00.000-07:00

Probably a bit of a controversial topic, but don't be afraid to delete photos that don't make the grade.

This may well be down to my shooting style as anyone who has seen me shoot knows I am 'trigger happy.' But having worked with quite a few other professional photographers I don't think it is uncommon to come back from a wedding with shots approaching two thousand for a full days shoot.

The positive of having a large selection available is the knowledge that you never missed an opportunity and to me this makes it worth taking so many photographs. The negative is the amount editing and rating you have to do, as well as the use of harddisc space used.

Now there is a rule that I never delete an image in the camera. Instead my workflow involving Lightroom is to do an import and render each image. I then make sure a time machine backup is done before the decision to start deleting photos. I then start the rating process.

I try to do this in one pass and rate as follows:

Reject: Out of focus or blurred images that aren't artistic. I also reject images in a sequence. So if I have five images of the same portrait taken in a few seconds I select the best one or two but reject the rest.

1 star is a shot that will not see the light of day. Typicially I won't delete it because it's technically not bad but neither am I proud of it.
2 stars are shots that I am happy with and I use two stars as the medium benchmark of work that could make it in to the portfolio. But only as a reserve, for instance I may be missing a nice candid photo of 'cousin Sally' or simply to boost numbers.
3 stars are my best images and ones which stand out as having potential for further processing.

A break is now needed as I like to clear my head so that I can come back to the next stage with a fresh and open mind.

I then make a final pass of the 3 star images and rate them:
4 star for ones which I really like
5 star for outstanding photographs.

I then make sure I have around 300 images rated as three and above that are not duplicates. If for some reason I don't have many photographs rated three or above I am more than happy to select a few images rated as two stars but I make sure they deserve a place in the final gallery. For instance they need to be artistically beautiful or contain emotion.

I then have a quick scan of the rejects to make sure I didn't make a mistake (although I have a timemachine backup) and then delete them FOREVER!

I used to hesitate before deleting images I wouldn't use but they only take up valuable space and I know I won't ever use them.

Are Wide Aperture Lenses Worth The Price For Wedding Photographers?

2009-07-01T10:18:00.000-07:00

I was having a few drinks the other night with some photographer friends of mine in the Alma pub in Bristol. After a few ciders a heated discussion took place about whether wide aperture lenses were essential for wedding photography? Should you buy the 16-35/2.8 over the 17-40/4 when it is twice the price, for essentially a poorer lens in terms of image quality and focal length? This decision tends to come down to a price consideration because lenses with wide apertures almost always cost more. Although getting started in the photography business is probably quite cheap compared to other businesses good lenses probably still cost £600-£1000. When you need three or four of these, a good body, the hardware and software to process and print your photos we are not talking about a 'small' amount of money. So when it comes to making the investment the choice is never easy. So why are wide aperture lenses desirable?

They allow you to get a faster shutter speed in low light situations. In most weddings there is almost always a part of the wedding that is indoors. So a wider aperture lets more light in to the camera which means a faster shutter speed. Pretty essential unless you want blurry shots.

Secondly, wide apertures help create a smaller, more artistic depth of field. To many this can make an image seem more artistic and distinguishes the professional from the amateur point and shoot. A small depth of field is a harder thing to achieve here and is a technical matter due to the sensor size and quality of lens found on most point and shoot cameras.

Can you get by using a wider aperture such as f/4? Sure can can. It really comes down to the personal choice of how much money you are prepared to spend on your equipment. Personally I am of the frame of mind that you may as well buy the best - especially if there is a business need. I know myself well and if I buy something which isn't quite what I need to do the job, I end up spending more money in the long run upgrading.

The Beauty of Photographic Resolution

2009-06-27T15:18:00.001-07:00

I never got serious about photography before the digital revolution. Sure, I developed prints in smelly chemicals at school and enjoyed the unpredictability of the prints but being at school I didn't have the personal resources to get truly involved. From what I understand part of the beauty of film was the quality of the resulting image. More recently people with a greater technical knowledge than I are saying that we are coming close in the digital world to what we had with film.

Walking through Bristol yesterday I saw a local photo company advertising their work in the local Sainsburys. There were some beautiful pieces of art, all printed at A3 and mounted on the wall. They truly were eye catching and I stopped for a look.

One of my favourites was an 18 year old girl walking her dog in a studio scene. It really stood out to me, the colours were great, she looked at the camera like a model and her clothes were classically fashionable. It was an all round great image and almost any photographer would rightly put it in their portfolio.

However, it doesn't take much to spot the lack of detail in her face. I'm sure this was taken a few years ago and was probably taken with a camera with a lower pixel count than today's models. This was a real shame as the detail in her face will never be there and in my mind this REALLY let the photograph down. Sadly the grain/lack of detail was most evident in her face as her skin had been softened and someone had gone to work in photoshop to reduce the shadows under her eyes. This got me thinking about how important resolution is. I used to think the number of megapixels in the camera didn't really matter as long as it was over 8MP. In my mind many people were being duped by the manufacturers in to thinking they needed more in order to sell more cameras. After all, everyone knows you can make a good print out of a 8MP camera, right?

Well I'm certainly a believer in being able to make a good sized print out of an 8MP sensor (with a good lens), but since buying the Canon 5DMKII (for the ISO performance) my view has changed rapidly. The main reason I bought it was down the ISO performance. When photographing weddings, shooting in low light is always a problem. After shooting my first wedding I was not prepared to see the amount of detail in the resulting images. Details which weren't there before leapt out at me and the location shoots suddenly took on an extra beauty of their own.

Of course, resolution helps when you need to make a crop too, but it does have its down side. Certainly with the increase in the amount of smaller, compact pixels less light reaches them. This means you have to know the limits of your camera's ISO performance. Through some wizardry from Canon I feel happy shooting at ISO3200, although if I can shoot lower I will! Certainly with the crop sensor cameras the limits are a little lower but still pretty good these days.

This got me thinking about how important our art is to us. How much are we willing to spend to create 'quality' art and is it worth it? I have trouble justifying those £1K lenses and the £2K body but the personal satisfaction of getting the best possible image always excites me and wins over. I think this means a lot in the business of photography and the pride you put in your own work. Having said that the biggest most of the wedding prints are printed at is 8x10 and so a lot of detail goes unseen. That said, who knows what you will do with it in the future.

This isn't a suggestion that we all need to rush out and buy the camera body with the biggest megapixel count. But don't think that megapixels don't count.

Bristol Wedding Photographer Location Suggestion: Burwalls

2009-06-23T14:26:00.000-07:00

As part of my continuous self improvement as a wedding photographer I am trying to visit different locations in and around Bristol to get to know them. This is not only good to build on my photography skills but also to improve my local knowledge, meet new people from Bristol and find exciting locations for wedding and engagement sessions. I thought I would start posting some links to locations in Bristol that I have liked and recommend. Last weekend I visited Burwalls for a location shoot as part of the flickr Bristol strobist event. It's a fantastic location with beautiful grounds just over the Clifton suspension bridge, fortunately not far from where I live.

Inside there are some lovely rooms, including the dining room and some great spots for strobist photography, but also large windows for ambient light. Luckily the weather was pretty good, overcast for most of the day although with intervals of sun so I spent most of the day photographing outside. It's a traditional old style English country house with plenty of character and a beautiful view down to the Avon river and over the city.

I'll be posting some shots soon of a great shoot I had with a few models - some can be find on my flickr page and others from photographers on the Bristol Strobist Group.

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Best lens for wedding photography - Bristol Wedding Photographer

2009-06-18T11:21:00.000-07:00

Everyone starting out in the business always wants to know 'What is the best lens for wedding photography.' I was the same, and it's an important question to ask. For me the ultimate wedding lens is the 24-70 f/2.8. Whether it is the Canon 24-70 f/2.8 L lens or the Nikon 24-70 f/2.8 G ED it's the one you need to have in your bag.

Satisfied?

Let me explain my reasoning.

Firstly let me say that this lens is a safe choice because it is so flexible. There is no perfect lens for every wedding but if you are shooting with a kit lens and you're starting to do paid work consider upgrading to one of the above. If that's too much money then I have read good reviews about Sigma or other third party alternatives in the same range. But make sure it is a f/2.8 lens. I would also add that it is the best choice if you are shooting on full frame OR a crop sensor. This lens is a good all rounder and whilst it certainly can't do it all - it does enough. Being long enough for some nice portraits at a reasonable distance but also wide enough for group shots. Lastly the quality of the images in terms of sharpness, contrast and colour saturation is excellent.

Problems:
This lens will cap your creativity however and I obviously don't suggest you use it alone. You will need something longer to capture good portraits from the sidelines and also something wider for those extreme wide shots.

Plus points:
It will allow you to photograph all of the formals and plenty of other group shots and candids and if you are the main photographer then you will be sticking close to the bride and groom. This is where the 24-70 focal range comes in to play. I know we would all like to use primes but the flexibility of this zoom lens is very useful and as wedding photographers we need to be practical.

This wide aperture will also help for low light situations especially when hand held not to mention create an artistic depth of field. I have used this lens at Ashton Court in Bristol for a few weddings, it's an old hall and quite dark inside so the wide aperture is needed to let more light in but it also creates a really pleasing depth of field.

One point I would make is to scout out the location before hand. If it rains and you have to be inside then consider whether 24mm will be wide enough for large group shots? Maybe it will with full frame - but you may have to switch to a 16, 17 or 18mm lens for a crop sensor.

I would say that if you are more of a candid shooter then the 70-200 range will be a lot more useful, but there is no way you can do group shots with this. If you are the main photographer the 24-70mm range is probably the most useful for getting the 'must have' formal shots.

This lens is a multipurpose lens that will cover 90% of your needs. Obviously a good wide angle and telephoto are essential to spice things up with perspectives, angles and lens distortions. But for the safe shots the 24-70 holds its own.

I know this is a zoom lens, and if you wanted to know the best prime I would personally choose the 50mm on full frame.

Wet Wedding Weather for the Photographer

2009-06-10T10:30:00.000-07:00

Living in Bristol, or the UK for that matter, unpredictable weather or just 'bad' weather is always to be considered. I suspect this is why most people schedule their wedding for the summer months, but all photographers must have a plan when it comes to poor weather. We all know that bright sunlight can be quite hard to work with, but what happens when you can't even step outside?

When you first meet for a couple for a wedding consultation always discuss their contingency plan regarding bad weather. It's not as if it doesn't rain here on earth from time to time. In most cases the contingency will be in the church or the reception under cover. However weddings can be outdoor events - or you may even want to embrace the weather for the feeling it can give to a photograph and the memory of the day.

Contingency
Check the weather forecast up to a week, every day until the day. This will help you plan in advance, including waterproofing to carry your gear in from your car to the wedding venue. Hopefully the venue will be nice enough for indoor photographs by using features such as the church alter, or if you are at the reception then use the buildings best features. This might be an old wooden staircase or a fireplace. If it doesn't have any good features then resort to your two best friends - window light and a plain wall with fresh flowers on either side of the group.

Protection
What happens if it is an outdoor event? The wedding venue is probably the best bet for finding shelter immediately after the ceremony. In honesty I think good local knowledge is essential here and one of the key reasons you should scout the location before the big day. If you have good knowledge of the local area you can find shelter in places such as picnic areas, underneath a porch or building overhang such as the church's entrance.

Gear
Again, this is perhaps another reason why a professional photographer needs professional gear. Basic weather sealing for your body and lenses means you don't have to be too concerned with some light rain or a few drops. Personally I'd be more worried about the bride's dress getting wet or people's hair do's than my gear because I know I am covered. I have seen other photographers use plastic bags with elastic bands around their camera. Whilst this is a legitimate way of protecting your gear I'm not 100% sure what it says for your image as a professional. Individual choice comes in to this but if you're shooting a wedding for £5,000 I'm not sure you can always get away with it. Even if you use a bag from John Lewis! When bad weather strikes I have my assistant hold the umbrella - that's all I'm saying...

If there is light rain and your clients are up for it then suggest shooting outside. I have managed this on one occasion and it worked well. Other times the weather was SO bad it couldn't have been an option but if I thought we could have got away with it I would have suggested it. One technical consideration is using flash in the rain. It can create specular highlights on raindrops in between you and the subject. You might want to do this for a few creative shots - but you probably won't want all of them to look like this.

Use it to your advantage
Now I don't want my clients to get absolutely soaked - unless they are up for it! But shooting in the rain can mean some really memorable, creative, fun photographs.

I would suggest buying some big umbrellas in preparation. Neutral colours work best as they don't distract but really it does come down to your style. Avoid logos at all costs and also be aware of any colour casts that might come from light shining through a coloured umbrella. Plastic see-through umbrellas may be another consideration for your funky brides... Again this is another opportunity to impress your clients with great service and creative thinking. When things don't go to plan I know you can really help make their day special in what might be quite a stressful situation. In some circumstances all you can do is embrace the rain and have fun.

You might be surprised at what you can create in such circumstances as thick clouds can be very atmospheric. Wet or poor weather isn't all that bad from a photographic perspective. Clouds add a lot of drama to a photo and I would prefer to have them in the picture than a plain boring blue sky. Recent rain can sparkle and make colours seem a bit more vibrant and certainly gives a very fresh feel. Bright sunlight just makes things looks washed out and flat.

One last tip is to try and calm the nerves of bride and groom. Having your one special day spoilt by gale force winds and torrential rain is awful, but a smile, joke and a laugh will ease the mood and the knowledge that you can produce good images inside or out should hopefully take some stress away - at least for them! Again, their feelings will probably come across in your photographs so it is very much your concern that they are looked after and treated as they should be!

Bridal portraits are all about style and elegance

2009-06-08T14:23:00.001-07:00

A good wedding photographer must capture the natural beauty in people, details and the venue. A great way of improving your chances is to use props. A bouquet of flowers is one of the most obvious but you can also try a single flower, the mother of the brides' hat, a pair of elegant shoes, the wedding rings or a Champagne bottle... the list can go on.

One piece of advice is to make sure that any prop you use does not overpower the beauty of the bride. Remember it is your job to make sure she is the shining star in each and every shot.

Be sure to at east TRY a variety of poses that include full length, ¾ portraits and head and shoulders shots. Head and shoulders are my personal favourite. Shooting with a 21 megapixel camera, the detail in the images is simply beautiful and the quality of the prints always takes my breath away.

During any posing make sure the dress falls to form natural curves. This adds to the elegance and style you are trying to create. In the full shots make sure you don't cut off any part of the bride or dress. I would recommend you use space well in these shots and don't get in too close. This obviously comes down to personal style but experiment and you will see what I mean. Also ensure she places her weight on one foot. This tends to come across as being more flattering. Any props you want to include should be held in a natural way. I often find that if you can give people something to do with their hands they tend to look less awkward and more natural.

Look for flowing lines in your composition and make sure there are no hard angles. Again this really comes down to your style but for a more traditional look certainly think about this.

I know you will have heard or read this elsewhere but make sure you do not blow the highlights in the dress. The camera is easily fooled so make sure you chimp! Soft lighting is always best, so if you need to take her in to the shadows and use some fill flash bouncing off a reflector do. Window light is also another classic which nearly always works well. In any case make sure the light is soft and subtle.

As with anything practise is essential and the more practise you have of taking portraits of people the better you get. This means you worry less about the technical and concentrate more on your people skills and the composition. This is arguably what helps makes a great portrait.

Incidentally I found this website for people in Bristol. It has some great reviews of different venues in the South west. If you want to advertise your services you have to pay which is not so good - but there are other free websites to advertise your services. They just don't look as good!

Photograph and capture emotion at the wedding

2009-06-03T10:49:00.000-07:00

Some say a wedding is like a big party and for others it is a spiritual occasion. Whatever view the view, the relatives, friends, bride and groom will be showing emotion and pictures showing this will be the best of the day. Pictures of people looking bored at a wedding won't go down well and you won't (I hope) of captured the spirit of the day. Emotion isn't always easy to capture but there are predictable points throughout the day when if you are in the right place it will help your chances of capturing the mother of the bride weeping a bit easier. Other opportunities arise when you get involved at a wedding because don't forget you are as much a part of the event as everyone else so remember this and try and get involved without imposing. Talking to people, telling jokes and generally being fun will help your subjects feel at ease and help make photo opportunities.

There are times when you need to stand at the side and wait for people to do something interesting. However if the 'energy' isn't there then make sure you move on and keep circulating. People always tell me how much effort I put in to my work and I think it energy and happiness catches. If you show people a good time you usually get it back in return. Being at a joyous occasion such as a wedding, people want to have fun and celebrate. This does make your life slightly easier but giving people a gentle nudge in the right direction will improve your chances. What I mean by this is sometimes you need a long lens so you can stand back and capture an event as it unfolds. On other occasions you need to get in close with the wide angle and 'help' the guests have fun.